Friday, February 24, 2006
The Apocalypse Will Be Televised
Armageddon in an age of entertainment
... “How fading and insipid,” Swift wrote, “do all Objects accost us that are not convey’d in the Vehicle of Delusion?” And indeed, such preposterous views haven’t prevented LaHaye from advancing in the world. As an ecclesiastical go-getter, he has few peers. A co-founder, along with the Rev. Jerry Falwell, of the Moral Majority, LaHaye now heads something called the Tim LaHaye School of Prophecy, at Liberty University in Virginia. Another of LaHaye’s visionary projects is the secretive Council on National Policy, which functions as a sort of theological popular front of evangelical preachers and politicians on the far right. And his alliance with Jerry B. Jenkins (writer of the Gil Thorp comic strip, former editor of the Moody Bible Institute magazine, and author of more than one hundred quickie books, including celebrity “autobiographies” of Billy Graham and Orel Hershiser) has turned LaHaye into a best-selling novelist.
As the careers of such disparate authors as Ayn Rand and D. H. Lawrence demonstrate, eccentric ideas are no impediment to writing novels. Almost any worldview compatible with sanity, in the medical sense, can serve as the scaffolding of readable fiction. Orwell wrote about what he called “good bad books,” arguing that “intellectual refinement can be a disadvantage to a story-teller, as it would be to a music-hall comedian”; what is necessary are strong convictions, an interest in individual human beings, and a powerful instinct for narrative. We’re all capable of suspending disbelief for the sake of a good story. So how seriously should we take the dust-jacket blurbs from reviewers who compare the Left Behind series to the work of pop-fiction luminaries like Tom Clancy and John Grisham? Or, to put it another way, can anybody not infatuated with LaHaye and Jenkins’s theological views read the novels for pleasure?
The answer, I fear, is no. On a purely mimetic level, the novels scarcely exist as realistic or even as allegorical fiction. These are novels for people who don’t read novels. Far too much of it is sheer didacticism: the characters don’t converse so much as they preach....
...By no means are all, or even most, evangelical Christians comfortable seeing their faith turned into fortune-telling. Rossing quotes an array of contemporary theologians who reject what one disapprovingly describes as “this perverse parody of John 3:16: ‘God so loved the world that he sent it World War III.’” As noisy zeal overwhelms more reasonable voices, however, the Left Behind hubbub strikes me as symptomatic of the degraded state into which American Puritanism has fallen. In Bunyan’s Pilgrim’s Progress, the runaway religious bestseller of the seventeenth century, Christian’s allegorical journey to the Celestial City involved an essentially inward quest. His encounters with the Giant Despair and Mr. Worldly-Wiseman forced him continually to search and re-search his mind and spirit for evidence of Satan’s wiles. LaHaye and Jenkins convert what was once the spiritual and psychological drama of salvation into escapist melodrama, Puritan self-examination into messianic narcissism. Satan is the Other, basically anything you fear and don’t understand. The books are pagan tribalism writ large, complete with soothsayers and magic spells. All of history has conspired to turn suburban Americans into apocalyptic superheroes. The end is near, and dude—you’re, like, the star!