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Hitler, Mussolini, Roosevelt
On May 7, 1933, just two months after the inauguration of Franklin Delano Roosevelt, the New York Times reporter Anne O’Hare McCormick wrote that the atmosphere in Washington was “strangely reminiscent of Rome in the first weeks after the march of the Blackshirts, of Moscow at the beginning of the Five-Year Plan.…America today literally asks for orders.” The Roosevelt administration, she added, “envisages a federation of industry, labor and government after the fashion of the corporative State as it exists in Italy.”

That article isn’t quoted in Three New Deals, a fascinating study by the German cultural historian Wolfgang Schivelbusch. But it underscores his central argument: that there are surprising similarities between the programs of Roosevelt, Mussolini, and Hitler....

...The dream of a planned society infected both right and left. Ernst Jünger, an influential right-wing militarist in Germany, reported his reaction to the Soviet Union: “I told myself: granted, they have no constitution, but they do have a plan. This may be an excellent thing.” As early as 1912, FDR himself praised the Prussian-German model: “They passed beyond the liberty of the individual to do as he pleased with his own property and found it necessary to check this liberty for the benefit of the freedom of the whole people,” he said in an address to the People’s Forum of Troy, New York.

American Progressives studied at German universities, Schivelbusch writes, and “came to appreciate the Hegelian theory of a strong state and Prussian militarism as the most efficient way of organizing modern societies that could no longer be ruled by anarchic liberal principles.” The pragmatist philosopher William James’ influential 1910 essay “The Moral Equivalent of War” stressed the importance of order, discipline, and planning....

...Roosevelt himself called Mussolini “admirable” and professed that he was “deeply impressed by what he has accomplished.” The admiration was mutual. In a laudatory review of Roosevelt’s 1933 book Looking Forward, Mussolini wrote, “Reminiscent of Fascism is the principle that the state no longer leaves the economy to its own devices.…Without question, the mood accompanying this sea change resembles that of Fascism.” The chief Nazi newspaper, Volkischer Beobachter, repeatedly praised “Roosevelt’s adoption of National Socialist strains of thought in his economic and social policies” and “the development toward an authoritarian state” based on the “demand that collective good be put before individual self-interest.”

In Rome, Berlin, and D.C., there was an affinity for military metaphors and military structures. Fascists, National Socialists, and New Dealers had all been young during World War I, and they looked back with longing at the experiments in wartime planning. In his first inaugural address, Roosevelt summoned the nation: “If we are to go forward, we must move as a trained and loyal army willing to sacrifice for the good of a common discipline. We are, I know, ready and willing to submit our lives and property to such discipline, because it makes possible a leadership which aims at a larger good. I assume unhesitatingly the leadership of this great army.…I shall ask the Congress for the one remaining instrument to meet the crisis—broad executive power to wage a war against the emergency, as great as the power that would be given to me if we were in fact invaded by a foreign foe.”...

...Scholars still study that propaganda. Earlier this year a Berlin museum mounted an exhibit titled “Art and Propaganda: The Clash of Nations—1930–45.” According to the critic David D’Arcy, it shows how the German, Italian, Soviet, and American governments “mandated and funded art when image-building served nation-building at its most extreme.…The four countries rallied their citizens with images of rebirth and regeneration.” One American poster of a sledgehammer bore the slogan “Work to Keep Free,” which D’Arcy found “chillingly close to ‘Arbeit Macht Frei,’ the sign that greeted prisoners at Auschwitz.” Similarly, a reissue of a classic New Deal documentary, The River (1938), prompted Washington Post critic Philip Kennicott to write that “watching it 70 years later on a new Naxos DVD feels a little creepy.…There are moments, especially involving tractors (the great fetish object of 20th-century propagandists), when you are certain that this film could have been produced in one of the political film mills of the totalitarian states of Europe.”...