Tuesday, December 16, 2003


Tony the flight attendant
...Over the coming pages, we'll learn more about who was taken and who was left behind. This is the great privilege for writers of fiction set in the afterlife. It's a tradition that goes back at least to Dante, who settled political scores by writing his opponents into Hell....

The Hypothetical Bus

I don't remember much of Donald W. Thompson's series of rapture movies from when I saw them back in middle school at Hydewood Park Baptist Church....

...Thompson's films used the threat of the rapture as a surrogate for the threat of death. Like the evangelist warning of imminent, diesel-powered doom, he was trying to scare his audience into heaven. In its own way, A Thief in the Night is an old-fashioned fire-and-brimstone sermon -- Thompson's version of "Sinners in the Hands of an Angry God."

I expected Left Behind to take a similar course, to invoke the apocalypse as a cosmic version of the Hypothetical Bus, urging sinners to repent because the end is near.

But that's not LaHaye and Jenkins' agenda. Jonathan Edwards famously wrote of the fires of Hell as a warning. L&J write of the Tribulation as a vindication, a confirmation of their own rightness and righteousness.

Their intended audience is people who, like them, already believe in premillennial dispensationalism. Their tone is the juvenile triumphalism of an adolescent semi-threatening suicide or running away: Just wait until I'm gone. Then you'll see. Then you'll be sorry.

There's a message here for "the unsaved," but it's not the message of salvation that Edwards and Thompson extended, however clumsily. It is not "get right with God, because time is short," but rather this: "Ha-ha! We were right and you were wrong! Have fun in Hell!"

I would suggest that this is not a very winsome or effective strategy for evangelism.

Not creepy enough
...Mennonite theologian Loren L. Johns identifies this "unadulterated triumphalism" as one of the most disturbingly unchristian aspects of the series:

... Fundamental to the spirit of the Left Behind series is the sense of vindication that "we" have been right all along. The not-so-subtle news headline that lies behind the entire series could well be, "Premillennial Dispensationalists Proved to Have Been Right All Along." The message of this series is unadulterated triumphalism. You can forget the business of Christians taking up the cross in this series!

Premillennial dispensationalists have admittedly gotten rough treatment in the modern world. From a modernist or secularist point of view, the claims of a pre-Tribulation rapture of the church, followed by seven years of Tribulation, followed by the thousand-year reign of Christ just seems too preposterous to be believed. Combine that with the fact that premillennial dispensationalists have been prone to set dates for the Second Coming of Christ -- and the fact that their batting average so far has been zero -- and that well-educated theologians as a whole tend to pooh-pooh their ideas, and you quickly come to a point of eschatological frustration with the way things are.

It is not the Lamb who has conquered in this series, but the premillennial dispensationalists! "We win!" Similarly, "You lose!"


Johns is astute in pointing out the transparent insecurity and frustration that are the source of this fictional vindication, and how it undermines the "taking up the cross" that is the literal crux of Christianity....

...Why expose myself and the readers of this blog to the potentially toxic foolishness of Left Behind?

Welcome to the Hellmouth
Because LB is more than simply a wretched novel. It is a wretched novel with serious consequences. It is, among other things, an assault on the central beliefs of the Christian faith, as Mennonite theologian Loren L. Johns writes:

At the end of the day, this series is ultimately a rejection of the good news of Jesus Christ. I say this because it rejects the way of the cross and Jesus' call to obedient discipleship and a new way of life. It celebrates the human will to power, putting evangelical Christians in the heroic role of God's Green Berets. In this story, premillennialist dispensationalism meets American survivalism. This is a story about so-called Christian men who never really grew up, who still love to play with toys and dominate others, and whose passions are still largely unredeemed. Love of enemies is treated as a misguided strategy associated not with the gospel, but with the Antichrist. Tim LaHaye and Jerry Jenkins have the right to offer any kind of interpretation of Christianity and of the end times that they wish. Ultimately, it is not their interpretation of the end times that troubles me so much as their interpretation of Christianity. It is devoid of any real theology, or substantial Christology, or any ethics that are recognizably Christian. This is a vision of unredeemed Christianity....